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The best haunted houses in Los Angeles run the gamut from homegrown horrors to big-budget amusement park productions—unsurprisingly, the home of Hollywood horror films takes its Halloween events very seriously. Whatever thrills you, whether it’s a hayride in Griffith Park or immersive theater at an old estate in Pomona (or perhaps some real-life haunted places), we’ve got it in this year’s list of the city’s best haunted houses in L.A. In 2002, the movie made history at the Goya Awards—Spain’s version of the Oscars—where it won a total of eight awards, including Best Film. It’s the first film to earn Spain’s highest film honor in which not one word of Spanish is spoken.
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Zombie Joe’s in North Hollywood is among those Los Angeles haunted houses for adults that don’t hold back on the immersive horror front. "The Case of the Devlin House" brings us almost to the midway point of the series and fixes on a dark and brutal haunted house story with an Amityville-style haunting at its center. Knotts Spooky Farm is a spooky–not scary–event with haunted house attractions and a pumpkin patch for kids. The historic, haunted Phillips Mansion (one of the year-round haunted houses in Los Angeles) is the perfect place to horrify thrill seekers. Inside, they quickly realize that the four ghosts, Brandon and those of his wife and children, have been trapped in a horrible time loop for the past 30 years where Brandon kills his family and then himself on repeat.
BEST Los Angeles Haunted Houses [2024 Halloween Guide]
Lorimar Productions released the film on VHS cassette on CBS/Fox Video's Key Video in October 1985. Two major studios have released it on home video in remastered versions. Warner Home Video released the film on DVD as a tie-in to the release of the 1999 remake. The color version was released on DVD the same year by 20th Century Fox. "Every business will eventually fail, so we just want to last as long as we possibly can." This outdoor home haunt features impressive costumes and figures, various themes and characters, and many more scares as the path leads guests through the outdoor series of yard haunts.
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All are strangers to both the Lorens and each other, their only commonality being their lust for money. The origins of the haunted house date back to 19th-century London, when a series of illusions and attractions introduced the public to new forms of gruesome entertainment. In 1802, Marie Tussaud scandalized British audiences with an exhibition of wax sculptures of decapitated French figures, including King Louis XVI, Marie Antoinette, Marat and Robespierre. Tussaud's likenesses were remarkably accurate, and with good reason — she created death masks of the French Revolution's many guillotine victims. When she set up a permanent London exhibition, she dubbed her grotesque collection the "Chamber of Horrors" — a name that has stuck to the wax museum to this day. The tradition could not exist without Halloween; Halloween would not be the same without it.
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Ghosts were no longer simply sheets hung in a tree, but were instead actual shimmering translucent figures that moved, spoke and sang. A witch wasn't just a rubber-masked figure bent over a fake cauldron, but a completely realistic bodiless head floating in a crystal ball, conducting a complex séance. Rally a team of all your friends to come out for a night of fright and experience the haunted houses, the Terror Tram, and all of the rides and other attractions. Scott is great in the central role, but it’s Peter Medak’s slow-burn horror direction, complete with antique wheelchair and menacing children’s toys, that cements this one as a haunted house classic. Shirley Jackson’s The Haunting of Hill House is one of the all-time great haunted house stories, and it has given us more than one great adaptation along the way.
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The film follows a documentary crew investigating a haunted house attraction called “Abaddon Hotel,” where a tragedy occurred during its opening night. Though he’s perhaps best known for films like Ringu, Japanese director Hideo Nakata’s true masterpiece might be this intimate little ghost story about a mother and daughter who move into an apartment with a very dark history. Full of atmospheric flourishes and foreboding, Dark Water is a masterclass in building suspense, delivering a payoff, and then keeping the scares going even after the story has seemingly resolved. Three years after the film’s release, an English language version starring Jennifer Connelly and John C. Reilly was released.

At the turn of the 20th century, as Rebekah McKendry describes in Fangoria magazine, the closest relatives to modern haunted houses began experimenting with macabre themes. In 1915, an English fairground in Liphook debuted one of the first "ghost houses," an early type of commercial horror attraction. Two African refugees settle into government-provided housing in the United Kingdom, and quickly discover they’re not alone. Like so many horror films on this list, His House begins with something very straightforward, easily graspable by any audience, then evolves into something else entirely.
You can also float between rooms of the mansion, and even get a peek behind the scenes with a VIP ticket. They agree on the Devlin family haunting after receiving a plea from the ghost of a woman named Susan Kessler who reveals her sister and two nieces were murdered by her brother-in-law in 1994. In death, Susan wanted to visit the family house once more, realizing something dark still lurks there. After Nora, Watson, and Ruth release Lance from the secret room, Nora tells them that she shot Frederick. When they arrive in the cellar, Frederick explains that he loaded her gun with blanks, that his wife and David plotted to kill him, and that they both met their ends in the vat of acid. He says he is ready for justice to decide if he's innocent or guilty.
David instead meets with Annabelle, who had faked her death using a hanging harness and sedatives. Secretly lovers, the two of them have orchestrated the various mishaps to manipulate Nora into killing Frederick. Nora, seeing Frederick enter the basement with a gun in his hand, does indeed shoot him.
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Bayona’s The Orphanage, a haunted house narrative that features, among other things, the unforgettable specter of a little boy in a cloth mask. But that boy and that mask are only a fraction of the story. Over the course of its runtime, The Orphanage packs in loads of other scares, both otherworldly and existential, cementing its place as one of the best horror films of the last 25 years. Horror icon Guillermo del Toro makes an uncredited cameo in the film, playing a doctor.
When it misspells ghost as "gost", they all laugh at it, and it throws the ouija board across the room, scaring Jenny and Steve out of the house. That night, the ghost drags Malcolm out of the room and has sex with Kisha. When Malcolm finds out, he calls his cousin Ray Ray, who immediately flees when he sees the ghost's powers. That same night, Kisha waits for the ghost until it gets late and leaves. Malcolm and Kisha move into their dream home, then learn that a demon also resides there.
Deducing that a videotape might be the real culprit behind the loop, Crystal and Edwin prepare to record over the footage. Just as Crystal starts messing with the equipment, a misery wraith emerges from the bowels of the house. Edwin immediately recognizes it, having seen countless of them in Hell. Infuriated by the cycle of violence and seeing Brandon kill his family repeatedly, Charles takes matters into his own hands and attacks Brandon.
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